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Working in the Theatre
 
An acclaimed fixture on New York television and in the theatre community for 30 years, the American Theatre Wing's Working in the Theatre offers an unprecedented forum for the meeting of theatrical minds.
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This theatre interview show brings together performers, directors, playwrights, designers, choreographers, producers and behind-the-scenes personnel from the American and international theatre, the interviews offer a rare opportunity for students and audiences to see and hear the people who create theatre engaged in thoughtful conversation with one another. With more than 600 past guests, the interviews have become an unequalled archive of theatrical talk, a chance to hear from the people behind the characters, stories and productions that draw us to the theatre.

The American Theatre Wing's Working in the Theatre receives leadership support from
The Annenberg Foundation
and
The Dorothy Strelsin Foundation.



Note: We are in the process of converting Working in the Theatre to Flash video format; therefore our most recent episodes will be Flash video, with later episodes being Real video. We hope to finish the conversion in the near future. If you have any questions or comments, please use our contact page.

Production: Side Man

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Originally taped - September, 1998

With:
Roy Gabay - General Manager
Jay S. Harris - Producer
Drew Hodges - Advertising Representative
Peter Manning - Producer
Nancy Richards - Marketing Representative
Gary Springer - Press Representative
Roy A. Somlyo - Moderator
Isabelle Stevenson - Host

The Side Man production team -- general manager Roy Gabay, producer Jay S. Harris, advertising representative, Drew Hodges, producer Peter Manning, marketing representative Nancy Richards, and press representative Gary Springer -- discuss moving the Roundabout production to a commercial Broadway run, marketing tactics, ticket pricing, breakdown of the production budget, working on multiple shows simultaneously, and the differences between not-for-profit and commercial theatre.


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